Genius Meanings
|
|
Slipknot – Birth of the Cruel
|
[Intro] / Let him crave understanding / Let him crave your wisdom / Let him crave / Let him be provoked / Father, by self-control / [Verse 1] / I'm just a Judas, lookin' for a
|
|
Slipknot – Nero Forte
|
“Nero Forte,” the fifth song on Slipknot’s sixth studio album We Are Not Your Kind (as well as being the fourth and final single from the album), is more akin to the heavy, fast-
|
|
Genius Brasil Traduções – Slipknot - Insert Coin (Tradução em Português)
|
[Tradução de "Insert Coin" por Slipknot] / Eu tô contando todos os assassinos
|
|
Slipknot – My Pain
|
[Intro] / Pain, she loves me / Wants me to be / Less scared, more free / To feel more of my pain / [Verse] / I'm your friend and I'm your shade / Do what you want, just remember it
|
|
System Of A Down – Cigaro
|
“Cigaro” details the pointless and seemingly endless obsession of ‘Boys and their Toys’, whether it be the explicit concept of penis size or the size of their guns, men are always
|
|
Slipknot – Unsainted
|
“Unsainted” is the first single being released from Slipknot’s album We Are Not Your Kind. The track talks about depression, as vocalist Corey Taylor has suffered from it for many
|
|
Type O Negative – Anesthesia
|
Like a flash of light / In an endless night / Life is trapped between / Two black entities / Cause when you trust someone / Illusion has begun / No way to prepare / Impending
|
|
Slipknot – All Out Life
|
“All Out Life” is a song bashing the music industry. It’s a single which was not included in Slipknot’s “Iowa levels of heavy” sixth studio album called We Are Not Your Kind
|
|
Slipknot – Solway Firth
|
“Solway Firth” is the second single from Slipknot’s sixth album, We Are Not Your Kind. The title is likely a reference to the “Solway Firth Spaceman” which is an image of a little
|
|
Slipknot – A Liar’s Funeral
|
Musically, this song progresses in a slow but painfully heavy atmosphere, almost resembling 2008’s “Snuff.” The song gives the listener the opportunity to go with Corey Taylor in
|
|
Ghost – Spillways
|
Impera’s third track, “Spillways” is a dancing track, hardly inspired by a lot of the 80s pieces. Tobias told Metal Hammer about the song:
This is an elegy for the darkness that
|
|
Slipknot – Orphan
|
In this song, Corey Taylor talks about his traumatic past and the harshness of life at a very young age. He tells his story, takes stock, and exorcises his ultimate frustration and
|
|
Slipknot – Red Flag
|
After the boundary-stretching journey of “A Liar’s Funeral,” it’s a refreshing slap in the face to find “Red Flag” bringing us straight back into familiar Slipknot territory, that
|
|
Slipknot – Not Long for This World
|
“Not Long for This World” mainly talks about Corey Taylor hurting himself and feeling like his life is not going to last much. While he recognizes “all is just a difficult stage
|
|
Slipknot – Insert Coin
|
With electronic and ambient noises scattered throughout, “Insert Coin” serves as the intro for We Are Not Your Kind, while also hinting at the experimentation found on the rest of
|
|
Slipknot – Spiders
|
[Verse 1] / Well, you can go it alone or keep it in between / The pages of the books you burn so no one gets to read / The fingers pull your stitches tight / But knowing someone's
|
|
Slipknot – Death Because of Death
|
[Verse] / Death because of, death because of you / Death because of, death because of you / Death because of, death because of you / Death because of, death because of you / Death
|
|
Slipknot – What's Next
|
“What’s Next” is the ninth song of 2019’s We Are Not Your Kind. It is based on an instrumental sound that features a piano similar to the sound of a music box, acoustic guitar
|
|
Slipknot – Critical Darling
|
[Intro] / Yeah / [Verse 1] / God's in a coma / Put faith in a life support / Running away won't feel the same / If you reach your metaphysical last resort / Oh, malevolence and
|
|
Genius Brasil Traduções – Slipknot - Solway Firth (Tradução em Português)
|
[Intro] / Hoje, em cima desta colina / Eu tô contanto todos os assassinos / Eles balançam enquanto enxameiam / Um olhar de comilões nos seus olhos / Eles resmungam enquanto o corpo
|
|
Nirvana – Something in the Way
|
“Something in the Way” is the twelfth and final song on Nirvana’s major label debut, Nevermind—not including its hidden track, “Endless, Nameless.” While many fans believed that
|
|
Genius Brasil Traduções – Slipknot - Unsainted (Tradução em Português)
|
[Intro] / Oh, eu nunca vou me matar para salvar a minha alma / Eu fui embora, mas como eu poderia saber? / Eu não cheguei tão longe para afundar tanto / Eu estou finalmente
|
|
Korn – Twisted Transistor
|
[Verse 1] / Hey you, hey you, Devil's little sister / Listening to your twisted transistor / Hold it between your legs / Turn it up, turn it up / Low end is coming through / Can't
|
|
Sleaford Mods – Tied Up in Nottz
|
Tied up in Nottz is from the 2014 album Divide and Exit by the Sleaford Mods.
|
|
Chris Isaak – Wicked Game
|
This tale of unrequited obsessive love after a heartbreak appeared on Isaak’s third album, Heart-Shaped World, in 1989. However, it only became a hit in January 1991, having
|
|
The Cruel Intentions – Reckoning
|
I got no time, time, time, time, time / To be your slave / Where's the fun, fun, fun, fun, fun / In working all goddamn day? / Reckoning / Why don't you scream a little louder / It
|
|
This Is Menace – Cut Us (And We Bleed)
|
Face down in the dirt because I wanted you / Headfirst in the fire because I "love you too" / I'd pull my fingers from their sockets if you'd just ask me nicely / So why d'ya have
|
|
Kendrick Lamar – N95
|
“N95” is the second track on Kendrick Lamar’s fifth and final studio album with Top Dawg Entertainment, Mr. Morale & The Big Steppers. The song’s title refers to N95 face masks
|
|
Pierce The Veil (Ft. Kellin Quinn) – King For A Day
|
After a crazy amount of fans requesting a collaboration, Vic and Kellin Quinn from Sleeping With Sirens combined their two unique voices into a high pitched, high energy, amazing
|
|
Cyndi Lauper – I Drove All Night
|
While this song was originally recorded by Roy Orbison in 1987, it wasn’t released at that time because, according to songwriter Billy Steinberg:
Roy didn’t have a recording
|
|
Death Angel – Lost
|
[Verse 1] / Can anybody hear me now? / A cruel land's fallen son / Pleading to the skies above / Forgive me please for what I've done / The only truth is death they claim / I chose
|
|
Life of Agony – Weeds
|
If tomorrow never shows / I want you all to know / That I loved you all, you're beautiful / And I had myself a ball / I've wasted so much precious time / Been skating along these
|